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Cincuentenario de la Fundacion de la Escuela Superior de Ingenieria, Mecanica y Electrica .20","description":"\u003cp\u003e1966 Mexico - Cincuentenario de la Fundacion de la Escuela Superior de Ingenieria, Mecanica y Electrica .20\u003c\/p\u003e\n\u003c!----\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":46139151515812,"sku":null,"price":4.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/850B6FC7-CC1A-46E0-89EB-37CF9D43CEDC.jpg?v=1723936286"},{"product_id":"1966-mexico-fray-bartolome-del-las-casas-20","title":"1966 Mexico - Fray Bartolomè del las Casas .20","description":"\u003cp\u003e1966 Mexico - Fray Bartolomè del las Casas .20 \u003c\/p\u003e\n\u003c!----\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":46139153514660,"sku":null,"price":4.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/5ABF8444-E7BD-4142-9A9A-2FB6FA115F35.jpg?v=1723936388"},{"product_id":"1966-mexico-felix-ruben-garcia-y-sarmiento-1-20-ruben-dario","title":"1966 Mexico - Felix Ruben Garcia y Sarmiento 1.20 Ruben Dario","description":"\u003cp\u003e1966 Mexico - Felix Ruben Garcia y Sarmiento 1.20 Ruben Dario\u003c\/p\u003e\n\u003c!----\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":46139154235556,"sku":null,"price":4.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/F487F3F4-2FC6-4A4E-A7D2-C4B952CE812E.jpg?v=1723936460"},{"product_id":"1948-first-bridge-connecting-us-and-canada-03-cents","title":"1948 first Bridge Connecting US and Canada .03 Cents","description":"\u003cp\u003e1948 first Bridge Connecting US and Canada .03 Cents\u003c\/p\u003e\n\u003c!----\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":46139362214052,"sku":null,"price":6.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/C9FAAD68-EBC6-4946-98BB-FD4E72E7EDC0.jpg?v=1723945470"},{"product_id":"1946-100-years-acquisition-of-new-mexico-03-cents-4-stamps","title":"1946 100 Years acquisition of New Mexico .03 Cents, 4 stamps","description":"\u003cp\u003e**Product Description: 100th Anniversary of the Acquisition of New Mexico First Day Cover (1946)**\u003c\/p\u003e\n\u003cp\u003eCommemorate a pivotal moment in American history with this remarkable First Day Cover, officially issued on October 16, 1946, in Santa Fe, New Mexico. This collectible envelope celebrates the 100th anniversary of the acquisition of New Mexico, featuring a block of four 3¢ postage stamps and a special First Day of Issue postmark, honoring General Stephen W. Kearny and his role in the region’s history.\u003c\/p\u003e\n\u003cp\u003e**Features:**\u003cbr\u003e- **Stamps Included:**\u003cbr\u003e  - **Stephen W. Kearny Expedition** (3¢ each, block of four): These stamps depict key moments in the acquisition of New Mexico, including General Kearny’s entry into Santa Fe in 1846 and the broader context of his expedition, rendered in a classic reddish-brown hue.\u003cbr\u003e- **First Day of Issue Postmark:** Dated October 16, 1946, with a clear cancellation from Santa Fe, NM, at 9:00 AM, adding historical authenticity and value to this philatelic piece.\u003cbr\u003e- **Design:** The envelope features a portrait of General Stephen W. Kearny in his military uniform, alongside illustrations of soldiers and the Santa Fe landscape. The text \"100th Anniversary of the Acquisition of New Mexico\" is prominently displayed, with a historical note: \"In the summer of 1846, General Kearny and his Missouri volunteers marched from Ft. Leavenworth over the old Santa Fe Trail and took possession of New Mexico.\" This design captures the significance of the event with elegance and historical detail.\u003cbr\u003e- **Condition:** Well-preserved and in excellent condition, ideal for collectors or as a display piece for history enthusiasts.\u003c\/p\u003e\n\u003cp\u003e**Details:**\u003cbr\u003e- **Issue Date:** October 16, 1946\u003cbr\u003e- **Denomination:** 3¢ per stamp (block of four)\u003cbr\u003e- **Theme:** American History and Territorial Expansion\u003c\/p\u003e\n\u003cp\u003eThis First Day Cover is a must-have for philatelists, history buffs, and collectors of Americana. It marks a significant chapter in the expansion of the United States, honoring General Kearny’s expedition and the incorporation of New Mexico into the nation. Add this piece of history to your collection or gift it to someone who appreciates the legacy of America’s westward expansion!\u003c\/p\u003e\n\u003c!----\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":46139458453668,"sku":null,"price":6.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/223F3E79-E2B6-4F39-B2D5-BAC2F780C004.jpg?v=1723948584"},{"product_id":"1974-tourmaline-american-mineral-heritage-10-cents","title":"1974 Tourmaline, American Mineral Heritage .10 Cents","description":"\u003cp\u003e1974 Tourmaline, American Mineral Heritage .10 Cents\u003c\/p\u003e\n\u003c!----\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":46140446113956,"sku":null,"price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/D6AF856A-C6CB-433B-B25A-FE4B2359132B.jpg?v=1724010537"},{"product_id":"1976-south-w","title":"1976 Mauritania First Day Cover, featuring two stamps and an illustration commemorating the U.S. Bicentennial.","description":"\u003cdiv\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1976 Mauritania First Day Cover, featuring two stamps and an illustration commemorating the U.S. Bicentennial.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes two stamps (8 UM and 10 UM) depicting American Revolutionary War soldiers, postmarked on January 20, 1976, in Nouakchott, Mauritania.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover, titled \"Mauritania Salutes the Fighters for America's Freedoms,\" celebrates the 200th anniversary of American independence (1776–1976).\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $15, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Mauritania First Day Cover is a philatelic item honoring the U.S. Bicentennial, marking 200 years of American independence. Featuring an illustration of an eagle with a shield and two stamps depicting American Revolutionary War soldiers, this cover reflects Mauritania’s tribute to the \"Fighters for America’s Freedoms.\" It’s a perfect addition for collectors of U.S. history, international philately, and Bicentennial memorabilia, offering a unique perspective on global recognition of America’s milestone.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, with many countries issuing stamps and covers to honor the occasion. Mauritania, a West African nation that gained independence from France in 1960, participated in this international tribute, reflecting the diplomatic ties and goodwill between nations during the Cold War era. The 1976 issuance of this first day cover, postmarked in Nouakchott, Mauritania’s capital, aligns with a period of growing international engagement for the country, as it sought to establish its presence on the global stage while celebrating a shared value of independence.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. This Mauritania cover, with its clear postmark, thematic illustration, and well-preserved condition, is likely valued between $5 and $15, based on typical market trends for similar items. Its focus on the Bicentennial, combined with its issuance by a less common postal authority like Mauritania, enhances its appeal to collectors of both U.S. history and international philately.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: Mauritania’s Role in U.S. Diplomacy\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn interesting aspect of this cover is its reflection of Mauritania’s diplomatic relations with the U.S. during the 1970s. Mauritania was one of the first African nations to establish formal ties with the U.S. after its independence in 1960, and by 1976, the two countries maintained a cooperative relationship, particularly in areas like trade and development. This cover, issued during the Bicentennial, symbolizes that goodwill, as Mauritania joined other nations in celebrating America’s milestone, highlighting the global resonance of the U.S. independence narrative.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1976 Mauritania U.S. Bicentennial First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1976 Mauritania First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the U.S. Bicentennial, making it a valuable piece for collectors of both U.S. history and international stamps.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Mauritania First Day Cover is a collectible envelope designed to commemorate the U.S. Bicentennial, titled \"Mauritania Salutes the Fighters for America’s Freedoms.\" The cover features a yellow and green illustration of an eagle with a shield, symbolizing American strength and independence, with the years \"1776\" and \"1976\" on either side. The text \"First Day Cover\" is printed in green at the bottom left, alongside a yellow square.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover are two stamps, each depicting American Revolutionary War soldiers:\u003c\/p\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e8 UM Stamp\u003c\/strong\u003e: Shows a soldier in a blue and red uniform with a tricorn hat, labeled \"Fantassin de la Légion de Lauzun\" (Infantryman of the Lauzun Legion), a French unit that supported the American Revolution.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e10 UM Stamp\u003c\/strong\u003e: Depicts a soldier in a green uniform with a rifle, labeled \"Garçons de la Montagne Verte\" (Boys of the Green Mountain), referring to the Green Mountain Boys, a militia led by Ethan Allen during the Revolution.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"break-words\"\u003eBoth stamps include the Mauritanian flag, the text \"Bicentenaire des États-Unis 1776-1976\" (Bicentennial of the United States 1776-1976), and Arabic script at the top. They are postmarked with a circular cancellation reading \"Premier Jour – 20 Jan 1976 – Nouakchott,\" confirming their first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, signed on July 4, 1776. Many countries issued stamps and first day covers to honor the occasion, reflecting the international impact of America’s independence and the shared values of freedom and self-determination. Mauritania, a West African nation that gained independence from France in 1960, participated in this tribute, issuing stamps that highlight the soldiers who fought for American freedom, including both American and French forces.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe 8 UM stamp features a soldier from the Lauzun Legion, a French military unit under the command of the Duc de Lauzun that fought alongside American forces during the Revolutionary War, notably at the Battle of Yorktown in 1781. The 10 UM stamp depicts a member of the Green Mountain Boys, a Vermont militia led by Ethan Allen that played a key role in early Revolutionary actions, such as the capture of Fort Ticonderoga in 1775. The issuance of this first day cover on January 20, 1976, in Nouakchott, Mauritania’s capital, reflects the country’s participation in the global celebration, as well as its diplomatic goodwill toward the U.S. during a period of Cold War dynamics, when alliances and international relations were carefully cultivated.\u003c\/p\u003e\n\u003ch4\u003eCollectible Value and Market Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. The 1976 Mauritania cover, with its clear postmark, thematic illustration, and well-preserved condition, is likely valued between $5 and $15, based on market trends for similar items. For example, Bicentennial first day covers from smaller nations like Mauritania often sell on platforms like eBay or through stamp dealers in this price range, with variations depending on condition, rarity, and the popularity of the theme. The cover’s focus on the Bicentennial, combined with its issuance by a less common postal authority, enhances its appeal to collectors of both U.S. history and international philately.\u003c\/p\u003e\n\u003ch4\u003eDetailed Stamp Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe two stamps on the cover are part of a 1976 Mauritania series issued for the U.S. Bicentennial:\u003c\/p\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e8 UM Stamp\u003c\/strong\u003e: Depicts a soldier from the Lauzun Legion, a French unit that supported the American Revolution. The soldier is shown in a blue and red uniform with a tricorn hat, holding a musket, against a yellow background. The text \"Fantassin de la Légion de Lauzun\" identifies the figure, and \"Bicentenaire des États-Unis 1776-1976\" ties the stamp to the Bicentennial theme.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e10 UM Stamp\u003c\/strong\u003e: Features a member of the Green Mountain Boys, a Vermont militia led by Ethan Allen. The soldier is depicted in a green uniform with a rifle, against a pink background. The text \"Garçons de la Montagne Verte\" identifies the group, and the same Bicentennial inscription appears.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"break-words\"\u003eBoth stamps include the Mauritanian flag and Arabic script at the top, reflecting the country’s identity. The denominations (8 UM and 10 UM, where UM stands for Ouguiya, Mauritania’s currency) were likely intended for domestic and international postage rates in 1976. The stamps’ placement on the cover, along with the clear Nouakchott postmark, enhances the item’s philatelic appeal.\u003c\/p\u003e\n\u003ch4\u003eComparative Analysis with Other Collectibles\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eCompared to other first day covers you’ve provided, such as the 1980 Winter Olympics series (valued at $5–$25), this 1976 Mauritania cover offers a different historical focus, appealing to collectors interested in U.S. history and international tributes to the Bicentennial rather than sports. Compared to other Bicentennial memorabilia, such as U.S.-issued covers or commemorative coins, this Mauritania cover provides a unique international perspective. A U.S. Bicentennial coin might fetch $10–$50, while this cover offers a more affordable way to own a piece of the celebration. Its issuance by Mauritania also makes it a rarer find compared to more common U.S.-produced Bicentennial items.\u003c\/p\u003e\n\u003ch4\u003eUnexpected Historical Detail: Mauritania’s Role in U.S. Diplomacy\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is its reflection of Mauritania’s diplomatic relations with the U.S. during the 1970s. Mauritania established formal ties with the U.S. shortly after its independence in 1960, and by 1976, the two countries maintained a cooperative relationship, particularly in areas like trade, development, and cultural exchange. During the Cold War, the U.S. sought to build alliances with African nations to counter Soviet influence, and Mauritania’s participation in the Bicentennial celebration symbolizes that goodwill. This cover, issued during the Bicentennial, highlights the global resonance of the U.S. independence narrative and Mauritania’s role in fostering international solidarity.\u003c\/p\u003e\n\u003ch4\u003eTable: Summary of Key Features\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto my-2\"\u003e\n\u003ctable\u003e\n\u003cthead class=\"border-b border-primary\/20\"\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003cth class=\"break-words\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"break-words\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eProduct Type\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFirst Day Cover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEvent Commemorated\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eU.S. Bicentennial (1776–1976)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eStamps Included\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eTwo stamps (8 UM, 10 UM): Lauzun Legion soldier, Green Mountain Boys soldier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eIssue and Postmark Date\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eJanuary 20, 1976, Nouakchott, Mauritania\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eExcellent, no visible damage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eHistorical Significance\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eCelebrates U.S. Bicentennial and Mauritania-U.S. diplomatic goodwill\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEstimated Value Range\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003e$5–$15, depending on condition and rarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4\u003eConclusion\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Mauritania U.S. Bicentennial First Day Cover is a historically significant collectible that celebrates the 200th anniversary of American independence from an international perspective. Its thematic illustration, clear postmark, and connection to the global celebration of the Bicentennial make it a standout piece for collectors of U.S. history and international philately. Whether you’re interested in the Revolutionary War, the U.S. Bicentennial, or global diplomacy, this cover offers a unique blend of cultural and historical value, reflecting Mauritania’s tribute to the \"Fighters for America’s Freedoms\" and the shared ideals of independence.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859705368740,"sku":null,"price":6.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025_012.jpg?v=1743028203"},{"product_id":"1976-m","title":"1976 Mali First Day Cover, featuring a single stamp and an illustration of the Liberty Bell and an eagle, commemorating the U.S. Bicentennial.","description":"\u003cdiv\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1976 Mali First Day Cover, featuring a single stamp and an illustration of the Liberty Bell and an eagle, commemorating the U.S. Bicentennial.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes a 100-franc stamp depicting the Liberty Bell and an eagle, postmarked on May 24, 1976, in Bamako, Mali.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover, titled \"Symbols of America’s Freedom,\" is a tribute by the Republic of Mali to the United States on its 200th anniversary of independence (1776–1976).\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $15, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Mali First Day Cover is a philatelic item honoring the U.S. Bicentennial, marking 200 years of American independence. Featuring a blue illustration of the Liberty Bell and an eagle, along with a 100-franc stamp, this cover reflects Mali’s tribute to the \"Symbols of America’s Freedom.\" It’s a perfect addition for collectors of U.S. history, international philately, and Bicentennial memorabilia, offering a unique perspective on global recognition of America’s milestone.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, with numerous countries issuing stamps and covers to honor the occasion. Mali, a West African nation that gained independence from France in 1960, participated in this international tribute, reflecting the diplomatic ties and goodwill between nations during the Cold War era. The 1976 issuance of this first day cover, postmarked in Bamako, Mali’s capital, aligns with a period of growing international engagement for Mali, as it sought to strengthen its global presence while celebrating shared values of freedom and independence.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. This Mali cover, with its clear postmark, thematic illustration, and well-preserved condition, is likely valued between $5 and $15, based on typical market trends for similar items. Its focus on the Bicentennial, combined with its issuance by a less common postal authority like Mali, enhances its appeal to collectors of both U.S. history and international philately.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: Mali’s Independence Parallels\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn interesting aspect of this cover is the parallel between Mali’s and the U.S.’s struggles for independence. Mali gained independence from France in 1960, just 16 years before this cover was issued, and its celebration of the U.S. Bicentennial reflects a shared understanding of the fight for freedom. Mali’s first president, Modibo Keïta, emphasized pan-African unity and self-determination, values that resonate with the American Revolution’s ideals. This cover, issued during Mali’s early years as an independent nation, symbolizes that connection, highlighting the global resonance of the U.S. independence narrative.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1976 Mali U.S. Bicentennial First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1976 Mali First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the U.S. Bicentennial, making it a valuable piece for collectors of both U.S. history and international stamps.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Mali First Day Cover is a collectible envelope designed to commemorate the U.S. Bicentennial, titled \"Symbols of America’s Freedom – A Tribute to the United States of America on its Bicentennial – Republic of Mali.\" The cover features a blue illustration of the Liberty Bell, a prominent symbol of American independence, with an eagle perched atop it, holding a ribbon in its beak. The eagle, another iconic American symbol, is depicted with spread wings, adding a sense of majesty to the design. The text \"First Day Cover\" is printed in red at the top left, alongside the title in red and blue.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover is a single 100-franc stamp, depicting the same imagery as the cachet: the Liberty Bell with an eagle above it, set against a background of red, white, and blue stripes. The stamp is labeled \"République du Mali,\" \"Bicentenaire des U.S.A. 1776-1976,\" and \"100 F,\" with \"Cartor\" credited as the printer. The stamp is postmarked with a circular cancellation reading \"Premier Jour – 24 Mai 1976 – Bamako,\" confirming its first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, signed on July 4, 1776. Many countries issued stamps and first day covers to honor the occasion, reflecting the international impact of America’s independence and the shared values of freedom and self-determination. Mali, a West African nation that gained independence from France in 1960, participated in this tribute, issuing a stamp that highlights two enduring symbols of American freedom: the Liberty Bell and the eagle.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe Liberty Bell, originally cast in 1752, became a symbol of American independence after it was rung to announce the first public reading of the Declaration of Independence in 1776. Its famous crack and inscription, \"Proclaim LIBERTY Throughout all the Land unto all the Inhabitants Thereof\" (Leviticus 25:10), have made it an enduring emblem of freedom. The eagle, often depicted as a bald eagle, has been a national symbol of the U.S. since 1782, representing strength, courage, and freedom. The issuance of this first day cover on May 24, 1976, in Bamako, Mali’s capital, reflects Mali’s participation in the global celebration, as well as its diplomatic goodwill toward the U.S. during a period of Cold War dynamics, when alliances and international relations were carefully cultivated.\u003c\/p\u003e\n\u003ch4\u003eCollectible Value and Market Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. The 1976 Mali cover, with its clear postmark, thematic illustration, and well-preserved condition, is likely valued between $5 and $15, based on market trends for similar items. For example, Bicentennial first day covers from smaller nations like Mali often sell on platforms like eBay or through stamp dealers in this price range, with variations depending on condition, rarity, and the popularity of the theme. The cover’s focus on the Bicentennial, combined with its issuance by a less common postal authority, enhances its appeal to collectors of both U.S. history and international philately.\u003c\/p\u003e\n\u003ch4\u003eDetailed Stamp Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 100-franc stamp on the cover is part of a 1976 Mali series issued for the U.S. Bicentennial. The stamp depicts the Liberty Bell with an eagle perched above it, holding a ribbon in its beak, set against a background of red, white, and blue stripes symbolizing the American flag. The stamp is labeled \"République du Mali,\" \"Bicentenaire des U.S.A. 1776-1976,\" and \"100 F,\" with \"Cartor\" credited as the printer. The design uses a blue and white color scheme for the eagle and bell, with the red, white, and blue stripes adding a patriotic touch. The 100-franc denomination reflects a higher postal rate, likely intended for international or airmail postage in 1976. The stamp’s placement on the cover, along with the clear Bamako postmark, enhances the item’s philatelic appeal.\u003c\/p\u003e\n\u003ch4\u003eComparative Analysis with Other Collectibles\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThis cover is similar to the 1976 Mauritania U.S. Bicentennial First Day Cover you previously provided, which also honored the Bicentennial but focused on Revolutionary War soldiers (valued at $5–$15). This Mali cover, with its focus on symbolic imagery rather than historical figures, offers a different perspective, appealing to collectors interested in American iconography. Compared to other Bicentennial memorabilia, such as U.S.-issued covers or commemorative coins, this Mali cover provides a unique international perspective. A U.S. Bicentennial coin might fetch $10–$50, while this cover offers a more affordable way to own a piece of the celebration. Its issuance by Mali also makes it a rarer find compared to more common U.S.-produced Bicentennial items.\u003c\/p\u003e\n\u003ch4\u003eUnexpected Historical Detail: Mali’s Independence Parallels\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is the parallel between Mali’s and the U.S.’s struggles for independence. Mali gained independence from France in 1960, just 16 years before this cover was issued, and its celebration of the U.S. Bicentennial reflects a shared understanding of the fight for freedom. Mali’s first president, Modibo Keïta, emphasized pan-African unity and self-determination, values that resonate with the American Revolution’s ideals of liberty and independence. During the 1970s, Mali was navigating its post-independence identity, and this cover, issued during that formative period, symbolizes a connection between the two nations’ histories, highlighting the global resonance of the U.S. independence narrative.\u003c\/p\u003e\n\u003ch4\u003eTable: Summary of Key Features\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto my-2\"\u003e\n\u003ctable\u003e\n\u003cthead class=\"border-b border-primary\/20\"\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003cth class=\"break-words\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"break-words\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eProduct Type\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFirst Day Cover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEvent Commemorated\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eU.S. Bicentennial (1776–1976)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eStamp Included\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eOne 100-franc stamp: Liberty Bell and eagle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eIssue and Postmark Date\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eMay 24, 1976, Bamako, Mali\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eExcellent, no visible damage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eHistorical Significance\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eCelebrates U.S. Bicentennial and Mali-U.S. diplomatic goodwill\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEstimated Value Range\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003e$5–$15, depending on condition and rarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4\u003eConclusion\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Mali U.S. Bicentennial First Day Cover is a historically significant collectible that celebrates the 200th anniversary of American independence through iconic symbols of freedom. Its thematic illustration, clear postmark, and connection to the global celebration of the Bicentennial make it a standout piece for collectors of U.S. history and international philately. Whether you’re interested in American iconography, the U.S. Bicentennial, or global diplomacy, this cover offers a unique blend of cultural and historical value, reflecting Mali’s tribute to the \"Symbols of America’s Freedom\" and the shared ideals of independence.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859717820580,"sku":null,"price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025_011.jpg?v=1743028327"},{"product_id":"1976-mali-first-da","title":"1976 Maldives First Day Cover, featuring three stamps and an illustration of John Singleton Copley, commemorating the U.S. Bicentennial","description":"\u003cdiv\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1976 Maldives First Day Cover, featuring three stamps and an illustration of John Singleton Copley, commemorating the U.S. Bicentennial.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes three stamps (2L, 4L, 3R) depicting portraits of American Revolutionary figures by Copley, postmarked on February 15, 1976, in the Republic of Maldives.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover, titled \"American Revolution Bicentennial 1776-1976,\" honors the 200th anniversary of American independence through the artwork of the Boston artist John Singleton Copley.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $20, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Maldives First Day Cover is a philatelic item celebrating the U.S. Bicentennial, marking 200 years of American independence. Featuring a black-and-white illustration of John Singleton Copley and three stamps showcasing his portraits of American Revolutionary figures, this cover highlights the intersection of art and history. Issued by the Republic of Maldives, it’s a perfect addition for collectors of U.S. history, art history, international philately, and Bicentennial memorabilia, offering a unique perspective on global recognition of America’s milestone.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, with many countries issuing stamps and covers to honor the occasion. The Maldives, a small island nation in the Indian Ocean that gained independence from Britain in 1965, participated in this international tribute, reflecting the diplomatic ties and goodwill between nations during the Cold War era. The 1976 issuance of this first day cover, postmarked in the Maldives, aligns with the country’s efforts to engage in global cultural exchanges while celebrating shared values of independence. John Singleton Copley (1738–1815), a Boston-born artist, is renowned for his portraits of American Revolutionary figures, making him a fitting subject for this Bicentennial tribute.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. This Maldives cover, with its clear postmark, thematic illustration, and well-preserved condition, is likely valued between $5 and $20, based on typical market trends for similar items. Its focus on the Bicentennial, combined with its issuance by a less common postal authority like the Maldives and its connection to a notable artist, enhances its appeal to collectors of U.S. history, art history, and international philately.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: Copley’s Dual Legacy\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn interesting aspect of this cover is its focus on John Singleton Copley, whose career reflects a dual legacy in American and British art. Born in Boston in 1738, Copley became the leading portraitist in colonial America, painting prominent figures like John Hancock, Samuel Adams, and Paul Revere. However, as a Loyalist, he moved to London in 1774 due to escalating tensions before the Revolution, where he continued his career, painting historical scenes and British aristocracy. This cover, by featuring Copley’s American portraits, celebrates his contribution to Revolutionary-era art while subtly acknowledging the complex loyalties of the time, as Copley’s later life was spent in Britain.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1976 Maldives U.S. Bicentennial First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1976 Maldives First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the U.S. Bicentennial through the artwork of John Singleton Copley, making it a valuable piece for collectors of U.S. history, art, and international stamps.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Maldives First Day Cover is a collectible envelope designed to commemorate the U.S. Bicentennial, titled \"American Revolution Bicentennial 1776-1976.\" The cover features a black-and-white illustration of John Singleton Copley, a prominent Boston artist of the Revolutionary era, along with the text \"John Singleton Copley 1738-1815 Boston Artist\" and \"Republic of Maldives – First Day of Issue.\"\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover are three stamps, each depicting a portrait by Copley of an American Revolutionary figure:\u003c\/p\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e2L Stamp\u003c\/strong\u003e: Features Copley’s portrait of John Hancock, a key figure in the Revolution and the first signer of the Declaration of Independence, labeled \"John Hancock by John S. Copley.\"\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e4L Stamp\u003c\/strong\u003e: Shows Copley’s portrait of Paul Revere, a silversmith and patriot known for his midnight ride, labeled \"Paul Revere by John S. Copley.\"\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e3R Stamp\u003c\/strong\u003e: Depicts Copley’s portrait of Samuel Adams, a leader of the American Revolution and signer of the Declaration, labeled \"Samuel Adams by John S. Copley.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"break-words\"\u003eEach stamp includes the text \"American Revolution Bicentennial 1776-1976\" and \"Republic of Maldives,\" with denominations in Maldivian currency (L for Laari, R for Rufiyaa). The stamps are postmarked with a circular cancellation reading \"Republic of Maldives – 15 Feb 1976 – Maldives,\" confirming their first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, signed on July 4, 1776. Many countries issued stamps and first day covers to honor the occasion, reflecting the international impact of America’s independence and the shared values of freedom and self-determination. The Maldives, an island nation in the Indian Ocean that gained independence from Britain in 1965, participated in this tribute, issuing stamps that highlight the artwork of John Singleton Copley, a key figure in Revolutionary-era art.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eJohn Singleton Copley (1738–1815) was a Boston-born artist renowned for his portraits of American colonial and Revolutionary figures. His works, including portraits of John Hancock, Paul Revere, and Samuel Adams, captured the likenesses and personalities of key players in the American Revolution, making him a fitting subject for a Bicentennial tribute. The 2L stamp features John Hancock, a wealthy merchant and president of the Continental Congress, known for his large signature on the Declaration of Independence. The 4L stamp depicts Paul Revere, a silversmith and messenger whose midnight ride in 1775 warned of British troop movements. The 3R stamp shows Samuel Adams, a political leader and organizer of the Boston Tea Party, who played a crucial role in rallying support for independence.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe issuance of this first day cover on February 15, 1976, in the Maldives reflects the country’s participation in the global celebration, as well as its diplomatic goodwill toward the U.S. during a period of Cold War dynamics, when alliances and international relations were carefully cultivated. The Maldives, having recently gained independence, was establishing its presence on the global stage, and this cover symbolizes that engagement.\u003c\/p\u003e\n\u003ch4\u003eCollectible Value and Market Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. The 1976 Maldives cover, with its clear postmark, thematic illustration, and well-preserved condition, is likely valued between $5 and $20, based on market trends for similar items. For example, Bicentennial first day covers from smaller nations like the Maldives often sell on platforms like eBay or through stamp dealers in this price range, with variations depending on condition, rarity, and the popularity of the theme. The cover’s focus on the Bicentennial, its issuance by a less common postal authority, and its connection to a notable artist like Copley enhance its appeal to collectors of U.S. history, art history, and international philately.\u003c\/p\u003e\n\u003ch4\u003eDetailed Stamp Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe three stamps on the cover are part of a 1976 Maldives series issued for the U.S. Bicentennial, featuring portraits by John Singleton Copley:\u003c\/p\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e2L Stamp\u003c\/strong\u003e: Depicts Copley’s portrait of John Hancock, showing him in formal attire with a red curtain in the background, reflecting his status as a wealthy merchant and leader.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e4L Stamp\u003c\/strong\u003e: Features Copley’s portrait of Paul Revere, depicted holding a silver teapot, symbolizing his trade as a silversmith, with a thoughtful expression.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003e3R Stamp\u003c\/strong\u003e: Shows Copley’s portrait of Samuel Adams, dressed in red, pointing to a document, symbolizing his role as a political thinker and revolutionary leader.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"break-words\"\u003eEach stamp includes the text \"American Revolution Bicentennial 1776-1976\" and \"Republic of Maldives,\" with denominations in Maldivian currency (2 Laari, 4 Laari, 3 Rufiyaa). The stamps’ designs use a consistent color palette of red, blue, and white, reflecting the patriotic theme of the Bicentennial. The denominations reflect various postal rates in the Maldives in 1976, with the higher 3R value likely intended for international postage. The stamps’ placement on the cover, along with the clear Maldives postmark, enhances the item’s philatelic appeal.\u003c\/p\u003e\n\u003ch4\u003eComparative Analysis with Other Collectibles\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThis cover is similar to the 1976 Mauritania and Mali U.S. Bicentennial First Day Covers you previously provided, which also honored the Bicentennial but focused on Revolutionary War soldiers and symbolic imagery, respectively (both valued at $5–$15). This Maldives cover, with its focus on Copley’s artwork, offers a unique angle by highlighting the intersection of art and history, appealing to collectors interested in both fields. Compared to other Bicentennial memorabilia, such as U.S.-issued covers or commemorative coins, this Maldives cover provides a unique international perspective. A U.S. Bicentennial coin might fetch $10–$50, while this cover offers a more affordable way to own a piece of the celebration. Its issuance by the Maldives also makes it a rarer find compared to more common U.S.-produced Bicentennial items.\u003c\/p\u003e\n\u003ch4\u003eUnexpected Historical Detail: Copley’s Dual Legacy\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is its focus on John Singleton Copley, whose career reflects a dual legacy in American and British art. Born in Boston in 1738, Copley became the leading portraitist in colonial America, painting prominent figures like John Hancock, Samuel Adams, and Paul Revere, as depicted on these stamps. However, as a Loyalist, he moved to London in 1774 due to escalating tensions before the Revolution, where he continued his career, painting historical scenes and British aristocracy, including works like \u003cem\u003eThe Death of the Earl of Chatham\u003c\/em\u003e. This cover, by featuring Copley’s American portraits, celebrates his contribution to Revolutionary-era art while subtly acknowledging the complex loyalties of the time, as Copley’s later life was spent in Britain, where he died in 1815.\u003c\/p\u003e\n\u003ch4\u003eTable: Summary of Key Features\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto my-2\"\u003e\n\u003ctable\u003e\n\u003cthead class=\"border-b border-primary\/20\"\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003cth class=\"break-words\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"break-words\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eProduct Type\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFirst Day Cover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEvent Commemorated\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eU.S. Bicentennial (1776–1976)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eStamps Included\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eThree stamps (2L, 4L, 3R): Portraits by John Singleton Copley (John Hancock, Paul Revere, Samuel Adams)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eIssue and Postmark Date\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFebruary 15, 1976, Republic of Maldives\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eExcellent, no visible damage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eHistorical Significance\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eCelebrates U.S. Bicentennial through Copley’s Revolutionary-era art\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEstimated Value Range\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003e$5–$20, depending on condition and rarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4\u003eConclusion\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Maldives U.S. Bicentennial First Day Cover is a historically significant collectible that celebrates the 200th anniversary of American independence through the artwork of John Singleton Copley. Its thematic illustration, clear postmark, and connection to the global celebration of the Bicentennial make it a standout piece for collectors of U.S. history, art history, and international philately. Whether you’re interested in the American Revolution, the U.S. Bicentennial, or the intersection of art and history, this cover offers a unique blend of cultural and historical value, reflecting the Maldives’ tribute to the \"American Revolution Bicentennial 1776-1976\" and Copley’s enduring legacy as a Boston artist.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"break-words\"\u003e \u003c\/p\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859726799012,"sku":null,"price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025_010.jpg?v=1743028459"},{"product_id":"1976-maldives","title":"1976 Luxembourg First Day Cover, featuring a single stamp and an illustration of Independence Hall, commemorating the U.S. Bicentennial","description":"\u003cdiv\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1976 Luxembourg First Day Cover, featuring a single stamp and an illustration of Independence Hall, commemorating the U.S. Bicentennial.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes a 6-franc stamp depicting Independence Hall, postmarked on May 7, 1976, in Luxembourg.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover, titled \"Luxembourg Commemorates the Cradle of American Independence,\" celebrates the 200th anniversary of American independence (1776–1976) by highlighting Independence Hall, where the Declaration of Independence was adopted.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $15, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Luxembourg First Day Cover is a philatelic item honoring the U.S. Bicentennial, marking 200 years of American independence. Featuring a detailed illustration of Independence Hall and a 6-franc stamp, this cover reflects Luxembourg’s tribute to the \"Cradle of American Independence.\" It’s a perfect addition for collectors of U.S. history, international philately, and Bicentennial memorabilia, offering a unique perspective on global recognition of America’s milestone through a focus on a historic landmark.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, with many countries issuing stamps and covers to honor the occasion. Luxembourg, a small European nation with a history of strong ties to the U.S.—particularly through its role in World War II and the presence of a significant Luxembourgish-American community—participated in this international tribute. The 1976 issuance of this first day cover, postmarked in Luxembourg, aligns with the country’s tradition of commemorating significant historical events, reflecting the diplomatic goodwill between Luxembourg and the U.S. during the Cold War era. Independence Hall in Philadelphia, depicted on the stamp and cover, is where the Declaration of Independence was adopted on July 4, 1776, making it a fitting symbol for the Bicentennial.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. This Luxembourg cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on typical market trends for similar items. Its focus on the Bicentennial, combined with its issuance by a European postal authority like Luxembourg and its connection to a key American landmark, enhances its appeal to collectors of U.S. history and international philately.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: Luxembourg’s Connection to the U.S.\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn interesting aspect of this cover is Luxembourg’s historical connection to the U.S., which adds depth to its participation in the Bicentennial. Luxembourgish immigrants began arriving in the U.S. in the 19th century, with many settling in the Midwest, particularly in states like Illinois and Wisconsin, where they established tight-knit communities. Additionally, Luxembourg’s role in World War II—its liberation by American forces in 1944 and the burial of General George S. Patton in the Luxembourg American Cemetery—fostered a strong bond between the two nations. This cover, issued during the Bicentennial, symbolizes that enduring relationship, as Luxembourg honored the U.S. by commemorating the birthplace of American independence.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1976 Luxembourg U.S. Bicentennial First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1976 Luxembourg First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the U.S. Bicentennial by focusing on Independence Hall, making it a valuable piece for collectors of U.S. history and international stamps.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Luxembourg First Day Cover is a collectible envelope designed to commemorate the U.S. Bicentennial, titled \"Luxembourg Commemorates the Cradle of American Independence.\" The cover features a detailed illustration of Independence Hall in Philadelphia, depicted in red and black, with its iconic clock tower and surrounding street scene, including trees and figures walking. To the right of the illustration is a blue reproduction of the opening text of the Declaration of Independence: \"In CONGRESS, July 4, 1776. The unanimous Declaration of the thirteen united States of America…\" The text \"Independence Hall\" is printed in red at the top left, and \"First Day Cover\" is noted at the bottom left in blue and red.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover is a single 6-franc stamp, also depicting Independence Hall, with the text \"États-Unis d’Amérique 1776-1976\" (United States of America 1776-1976). The stamp is postmarked with a circular cancellation reading \"Luxembourg – 7 Mai 1976,\" confirming its first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, signed on July 4, 1776. Many countries issued stamps and first day covers to honor the occasion, reflecting the international impact of America’s independence and the shared values of freedom and self-determination. Luxembourg, a small European nation with a history of strong ties to the U.S., participated in this tribute, issuing a stamp that highlights Independence Hall, the historic building in Philadelphia where the Declaration of Independence was adopted.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eIndependence Hall, originally known as the Pennsylvania State House, was the meeting place of the Second Continental Congress from 1775 to 1783. It was here that the Declaration of Independence was debated and signed, marking the birth of the United States as an independent nation. The building also hosted the Constitutional Convention in 1787, where the U.S. Constitution was drafted. Today, Independence Hall is part of Independence National Historical Park and a UNESCO World Heritage Site, symbolizing the foundational moments of American democracy.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe issuance of this first day cover on May 7, 1976, in Luxembourg reflects the country’s participation in the global celebration, as well as its diplomatic goodwill toward the U.S. during a period of Cold War dynamics, when alliances and international relations were carefully cultivated. Luxembourg’s involvement in the Bicentennial also underscores its historical ties to the U.S., including the contributions of Luxembourgish immigrants to American society and the shared history of World War II liberation.\u003c\/p\u003e\n\u003ch4\u003eCollectible Value and Market Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. The 1976 Luxembourg cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on market trends for similar items. For example, Bicentennial first day covers from European nations like Luxembourg often sell on platforms like eBay or through stamp dealers in this price range, with variations depending on condition, rarity, and the popularity of the theme. The cover’s focus on the Bicentennial, its issuance by a respected postal authority, and its connection to a key American landmark enhance its appeal to collectors of U.S. history and international philately.\u003c\/p\u003e\n\u003ch4\u003eDetailed Stamp Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 6-franc stamp on the cover is part of a 1976 Luxembourg series issued for the U.S. Bicentennial. The stamp depicts Independence Hall in a simplified design, focusing on the building’s iconic clock tower and red brick facade, set against a light blue background. The text \"États-Unis d’Amérique 1776-1976\" (United States of America 1776-1976) ties the stamp to the Bicentennial theme, and the 6-franc denomination reflects a standard postal rate in Luxembourg in 1976, likely for domestic or European postage. The stamp’s design uses a red, white, and blue color scheme, echoing the patriotic colors of the American flag. The stamp’s placement on the cover, along with the clear Luxembourg postmark, enhances the item’s philatelic appeal.\u003c\/p\u003e\n\u003ch4\u003eComparative Analysis with Other Collectibles\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThis cover is similar to the 1976 Mauritania, Mali, and Maldives U.S. Bicentennial First Day Covers you previously provided, which also honored the Bicentennial but focused on Revolutionary War soldiers, symbolic imagery, and Copley’s artwork, respectively (all valued at $5–$20). This Luxembourg cover, with its focus on Independence Hall, offers a different perspective by highlighting a historic landmark, appealing to collectors interested in American history and architecture. Compared to other Bicentennial memorabilia, such as U.S.-issued covers or commemorative coins, this Luxembourg cover provides a unique international perspective. A U.S. Bicentennial coin might fetch $10–$50, while this cover offers a more affordable way to own a piece of the celebration. Its issuance by Luxembourg also adds a layer of rarity compared to more common U.S.-produced Bicentennial items.\u003c\/p\u003e\n\u003ch4\u003eUnexpected Historical Detail: Luxembourg’s Connection to the U.S.\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is Luxembourg’s historical connection to the U.S., which adds depth to its participation in the Bicentennial. Luxembourgish immigrants began arriving in the U.S. in the 19th century, with many settling in the Midwest, particularly in states like Illinois, Wisconsin, and Iowa, where they established communities that preserved their cultural heritage. For example, the town of Belgium, Wisconsin, has a significant Luxembourgish-American population. Additionally, Luxembourg’s role in World War II strengthened its bond with the U.S.: American forces liberated Luxembourg from Nazi occupation in 1944, and General George S. Patton, a key figure in the liberation, is buried at the Luxembourg American Cemetery in Hamm, where over 5,000 American soldiers are also interred. This cover, issued during the Bicentennial, symbolizes that enduring relationship, as Luxembourg honored the U.S. by commemorating Independence Hall, the birthplace of American independence.\u003c\/p\u003e\n\u003ch4\u003eTable: Summary of Key Features\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto my-2\"\u003e\n\u003ctable\u003e\n\u003cthead class=\"border-b border-primary\/20\"\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003cth class=\"break-words\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"break-words\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eProduct Type\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFirst Day Cover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEvent Commemorated\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eU.S. Bicentennial (1776–1976)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eStamp Included\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eOne 6-franc stamp: Independence Hall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eIssue and Postmark Date\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eMay 7, 1976, Luxembourg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eExcellent, no visible damage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eHistorical Significance\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eCelebrates U.S. Bicentennial and Luxembourg-U.S. historical ties\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEstimated Value Range\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003e$5–$15, depending on condition and rarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4\u003eConclusion\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Luxembourg U.S. Bicentennial First Day Cover is a historically significant collectible that celebrates the 200th anniversary of American independence by focusing on Independence Hall, the \"Cradle of American Independence.\" Its detailed illustration, clear postmark, and connection to the global celebration of the Bicentennial make it a standout piece for collectors of U.S. history and international philately. Whether you’re interested in the American Revolution, the U.S. Bicentennial, or the historical ties between Luxembourg and the U.S., this cover offers a unique blend of cultural and historical value, reflecting Luxembourg’s tribute to a foundational moment in American democracy.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859735449764,"sku":null,"price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025_009.jpg?v=1743028533"},{"product_id":"1976","title":"1976 Liberia First Day Cover, featuring a single stamp and an illustration of the Statue of Liberty, commemorating the U.S. Bicentennial","description":"\u003cdiv dir=\"auto\" class=\"message-bubble rounded-3xl prose dark:prose-invert break-words text-primary min-h-7 prose-p:opacity-95 prose-strong:opacity-100 w-full max-w-none\"\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1976 Liberia First Day Cover, featuring a single stamp and an illustration of the Statue of Liberty, commemorating the U.S. Bicentennial.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes a 25-cent stamp depicting a map of the U.S. with symbols of freedom, postmarked on September 21, 1976, in Monrovia, Liberia.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover, titled \"Acclaiming the American Bicentennial and Our Traditional Bonds of Friendship,\" celebrates the 200th anniversary of American independence (1776–1976) and the historical ties between the U.S. and Liberia.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $15, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Liberia First Day Cover is a philatelic item honoring the U.S. Bicentennial, marking 200 years of American independence. Featuring a blue illustration of the Statue of Liberty and a 25-cent stamp with a map of the U.S. and symbols of freedom, this cover reflects Liberia’s tribute to the \"American Bicentennial and Our Traditional Bonds of Friendship.\" It’s a perfect addition for collectors of U.S. history, international philately, and Bicentennial memorabilia, offering a unique perspective on the deep historical connection between the U.S. and Liberia.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, with many countries issuing stamps and covers to honor the occasion. Liberia, a West African nation founded in 1847 by freed African Americans with support from the American Colonization Society, has a unique historical tie to the U.S., making its participation in the Bicentennial particularly significant. The 1976 issuance of this first day cover, postmarked in Monrovia, Liberia’s capital, reflects the strong cultural and historical bonds between the two nations, as Liberia celebrated the U.S. milestone while acknowledging their shared history of freedom and independence.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. This Liberia cover, with its clear postmark, thematic illustration, and well-preserved condition, is likely valued between $5 and $15, based on typical market trends for similar items. Its focus on the Bicentennial, combined with its issuance by Liberia—a country with a direct historical connection to the U.S.—enhances its appeal to collectors of U.S. history and international philately.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: Liberia’s Founding and U.S. Influence\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is its reflection of Liberia’s unique founding history and its deep ties to the U.S. Liberia was established in 1822 by the American Colonization Society as a settlement for freed African Americans, with the first settlers arriving from the U.S. The country declared independence in 1847, modeling its constitution, flag, and government structure after those of the U.S. Monrovia, the capital, was named after U.S. President James Monroe, a supporter of the colonization effort. This cover, issued during the Bicentennial, underscores that shared history, as Liberia’s flag—featuring red and white stripes and a blue field with a white star, as depicted on the cover—mirrors the U.S. flag, symbolizing their \"traditional bonds of friendship.\"\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1976 Liberia U.S. Bicentennial First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1976 Liberia First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the U.S. Bicentennial while highlighting the historical ties between the U.S. and Liberia, making it a valuable piece for collectors of U.S. history and international stamps.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Liberia First Day Cover is a collectible envelope designed to commemorate the U.S. Bicentennial, titled \"Acclaiming the American Bicentennial and Our Traditional Bonds of Friendship.\" The cover features a blue illustration of the Statue of Liberty, a prominent symbol of American freedom, holding a torch aloft. Below the statue is an image of the Liberian flag, which closely resembles the U.S. flag with its red and white stripes and a blue field with a single white star, labeled \"National Flag of Liberia – USA\/Liberia.\" The text \"First Day Cover\" is printed in red at the top left.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover is a single 25-cent stamp, depicting a map of the United States with three iconic symbols of American freedom: the Liberty Bell, the Statue of Liberty, and the Unification Monument (likely referring to a Liberian monument, though this may be a misnomer for a U.S. symbol like the Washington Monument). The stamp is labeled \"American Independence Bicentennial Year 1976 – United States of America – Liberia 25c – Postage.\" The stamp is postmarked with a circular cancellation reading \"First Day – 21 Sep 1976 – Monrovia, Liberia,\" confirming its first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe U.S. Bicentennial in 1976 was a global celebration of the 200th anniversary of the Declaration of Independence, signed on July 4, 1776. Many countries issued stamps and first day covers to honor the occasion, reflecting the international impact of America’s independence and the shared values of freedom and self-determination. Liberia’s participation in the Bicentennial is particularly meaningful due to its unique historical connection to the U.S.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eLiberia was founded in 1822 by the American Colonization Society, a group that aimed to resettle freed African Americans in Africa. The first settlers, known as Americo-Liberians, arrived from the U.S., and in 1847, Liberia declared independence, becoming Africa’s first republic. The country modeled its constitution, flag, and government structure after those of the U.S., and its capital, Monrovia, was named after U.S. President James Monroe, a supporter of the colonization effort. The Liberian flag, depicted on the cover, features 11 red and white stripes (representing the 11 signers of Liberia’s Declaration of Independence) and a blue field with a white star (symbolizing the country as a beacon of freedom in Africa), mirroring the design of the U.S. flag.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe issuance of this first day cover on September 21, 1976, in Monrovia reflects Liberia’s participation in the global celebration, as well as its deep cultural and historical ties to the U.S. The cover’s focus on the Statue of Liberty and other symbols of American freedom, alongside the Liberian flag, underscores the \"traditional bonds of friendship\" between the two nations, rooted in their shared history of seeking freedom and self-governance.\u003c\/p\u003e\n\u003ch4\u003eCollectible Value and Market Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from the U.S. Bicentennial are popular among collectors for their historical significance and the variety of international perspectives they offer. The 1976 Liberia cover, with its clear postmark, thematic illustration, and well-preserved condition, is likely valued between $5 and $15, based on market trends for similar items. For example, Bicentennial first day covers from African nations like Liberia often sell on platforms like eBay or through stamp dealers in this price range, with variations depending on condition, rarity, and the popularity of the theme. The cover’s focus on the Bicentennial, its issuance by Liberia—a country with a direct historical connection to the U.S.—and its emphasis on shared symbols of freedom enhance its appeal to collectors of U.S. history and international philately.\u003c\/p\u003e\n\u003ch4\u003eDetailed Stamp Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 25-cent stamp on the cover is part of a 1976 Liberia series issued for the U.S. Bicentennial. The stamp features a map of the United States, with three iconic symbols of freedom superimposed on it:\u003c\/p\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003eLiberty Bell\u003c\/strong\u003e: Located in Philadelphia, a symbol of American independence since it was rung to announce the first public reading of the Declaration of Independence in 1776.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003eStatue of Liberty\u003c\/strong\u003e: A gift from France in 1886, symbolizing freedom and democracy, located in New York Harbor.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003e\n\u003cstrong\u003eUnification Monument\u003c\/strong\u003e: This label may be a misnomer; it likely refers to a U.S. monument like the Washington Monument, which symbolizes national unity, though Liberia has its own unification monuments tied to its history.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"break-words\"\u003eThe stamp is labeled \"American Independence Bicentennial Year 1976 – United States of America – Liberia 25c – Postage,\" using a red, white, and blue color scheme to reflect the patriotic theme. The 25-cent denomination reflects a standard postal rate in Liberia in 1976, likely for domestic or international postage. The stamp’s placement on the cover, along with the clear Monrovia postmark, enhances the item’s philatelic appeal.\u003c\/p\u003e\n\u003ch4\u003eComparative Analysis with Other Collectibles\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThis cover is similar to the 1976 Mauritania, Mali, Maldives, and Luxembourg U.S. Bicentennial First Day Covers you previously provided, which also honored the Bicentennial but focused on Revolutionary War soldiers, symbolic imagery, Copley’s artwork, and Independence Hall, respectively (all valued at $5–$20). This Liberia cover, with its focus on the Statue of Liberty and shared symbols of freedom, offers a unique perspective by emphasizing the historical ties between the U.S. and Liberia, appealing to collectors interested in both nations’ histories. Compared to other Bicentennial memorabilia, such as U.S.-issued covers or commemorative coins, this Liberia cover provides a distinct international perspective. A U.S. Bicentennial coin might fetch $10–$50, while this cover offers a more affordable way to own a piece of the celebration. Its issuance by Liberia also adds a layer of rarity compared to more common U.S.-produced Bicentennial items.\u003c\/p\u003e\n\u003ch4\u003eUnexpected Historical Detail: Liberia’s Founding and U.S. Influence\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is its reflection of Liberia’s unique founding history and its deep ties to the U.S. Liberia was established in 1822 by the American Colonization Society as a settlement for freed African Americans, with the first settlers arriving from the U.S. The country declared independence in 1847, becoming Africa’s first republic, and modeled its constitution, flag, and government structure after those of the U.S. Monrovia, the capital, was named after U.S. President James Monroe, a supporter of the colonization effort. The Liberian flag, depicted on the cover, features 11 red and white stripes and a blue field with a white star, symbolizing its connection to the U.S. flag and its role as a beacon of freedom in Africa. This cover, issued during the Bicentennial, underscores that shared history, celebrating the \"traditional bonds of friendship\" between the two nations, which were further strengthened by Liberia’s support for the U.S. during the Cold War.\u003c\/p\u003e\n\u003ch4\u003eTable: Summary of Key Features\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto my-2\"\u003e\n\u003ctable\u003e\n\u003cthead class=\"border-b border-primary\/20\"\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003cth class=\"break-words\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"break-words\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eProduct Type\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFirst Day Cover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEvent Commemorated\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eU.S. Bicentennial (1776–1976)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eStamp Included\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eOne 25-cent stamp: Map of U.S. with Liberty Bell, Statue of Liberty, and Unification Monument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eIssue and Postmark Date\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eSeptember 21, 1976, Monrovia, Liberia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eExcellent, no visible damage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eHistorical Significance\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eCelebrates U.S. Bicentennial and U.S.-Liberia historical ties\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEstimated Value Range\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003e$5–$15, depending on condition and rarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4\u003eConclusion\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1976 Liberia U.S. Bicentennial First Day Cover is a historically significant collectible that celebrates the 200th anniversary of American independence while highlighting the deep historical ties between the U.S. and Liberia. Its thematic illustration, clear postmark, and connection to the global celebration of the Bicentennial make it a standout piece for collectors of U.S. history and international philately. Whether you’re interested in the American Revolution, the U.S. Bicentennial, or the unique relationship between the U.S. and Liberia, this cover offers a unique blend of cultural and historical value, reflecting Liberia’s tribute to the \"American Bicentennial and Our Traditional Bonds of Friendship.\"\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859737710756,"sku":null,"price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025_008.jpg?v=1743028644"},{"product_id":"1976-li","title":"1991 Great Britain First Day Cover, featuring a single stamp and an illustration of Thomas Bewick’s \"Large Rough Water Dog.\"","description":"\u003cdiv class=\"message-bubble rounded-3xl prose dark:prose-invert break-words text-primary min-h-7 prose-p:opacity-95 prose-strong:opacity-100 w-full max-w-none\" dir=\"auto\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1991 Great Britain First Day Cover, featuring a single stamp and an illustration of Thomas Bewick’s \"Large Rough Water Dog.\"\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes a 33-pence stamp depicting George Stubbs’ painting \"A Rough Dog,\" postmarked on January 8, 1991, in Edinburgh by the British Philatelic Bureau.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover honors Thomas Bewick, an English engraver and naturalist, and his depiction of the \"Large Rough Water Dog,\" part of a series celebrating British art and natural history.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $15, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain First Day Cover is a philatelic item celebrating the work of Thomas Bewick, a renowned English engraver and naturalist. Featuring a detailed illustration of Bewick’s \"Large Rough Water Dog\" and a 33-pence stamp showcasing George Stubbs’ painting \"A Rough Dog,\" this cover highlights British art and natural history. Issued by the British Philatelic Bureau, it’s a perfect addition for collectors of British stamps, art history, and natural history memorabilia, offering a unique glimpse into the legacy of two influential artists.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThomas Bewick (1753–1828) was a pivotal figure in the history of British art and natural history, best known for his detailed wood engravings of animals and birds, particularly in works like \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790) and \u003cem\u003eHistory of British Birds\u003c\/em\u003e (1797–1804). His engraving of the \"Large Rough Water Dog,\" depicted on this cover, reflects his skill in capturing the natural world with precision and artistry. The 1991 issuance of this first day cover, part of a series celebrating British art, coincides with a renewed interest in Bewick’s contributions to illustration and natural history during the late 20th century. The stamp, featuring George Stubbs’ \"A Rough Dog,\" connects two artists known for their depictions of animals, with Stubbs (1724–1806) being a leading 18th-century painter of horses and dogs, often commissioned by British aristocracy.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from Great Britain, especially those issued by the British Philatelic Bureau, are popular among collectors for their quality and historical themes. This 1991 cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on typical market trends for similar items. Its focus on Thomas Bewick and George Stubbs, combined with its artistic and natural history theme, enhances its appeal to collectors of British stamps, art history, and natural history memorabilia.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: The \"Large Rough Water Dog\" and the Newfoundland Breed\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn interesting aspect of this cover is the historical significance of the \"Large Rough Water Dog\" depicted by Thomas Bewick. This illustration is often associated with the early depiction of the Newfoundland dog, a breed known for its thick fur, gentle temperament, and prowess in water rescue. Bewick’s engraving, published in \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e, is one of the earliest detailed representations of the breed, which was brought to England from Newfoundland in the 18th century. The Newfoundland dog later became famous for its lifesaving abilities, with stories of the breed rescuing sailors and swimmers. This cover, by featuring Bewick’s work, indirectly celebrates the legacy of the Newfoundland breed, connecting art, natural history, and canine heritage.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1991 Great Britain Thomas Bewick First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1991 Great Britain First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the work of Thomas Bewick and British art, making it a valuable piece for collectors of British stamps, art, and natural history.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain First Day Cover is a collectible envelope designed to honor Thomas Bewick, an English engraver and naturalist, featuring his illustration of the \"Large Rough Water Dog.\" The cover showcases a detailed engraving of the dog in a reddish-brown hue, set against a background that includes a landscape with trees, a sailboat, and a distant building, reflecting Bewick’s style of combining natural subjects with scenic elements. The text \"Thomas Bewick – Large Rough Water Dog\" is printed below the illustration in red.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover is a single 33-pence stamp, part of a 1991 British series celebrating art and animals. The stamp features George Stubbs’ painting \"A Rough Dog,\" depicting a shaggy dog lying down, with a tree and landscape in the background. The stamp is labeled \"A Rough Dog – George Stubbs\" and has a denomination of 33 pence. It is postmarked with a circular cancellation reading \"British Philatelic Bureau – First Day of Issue – 8 Jan 1991 – Edinburgh,\" confirming its first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThomas Bewick (1753–1828) was a pioneering English engraver and naturalist, renowned for revolutionizing wood engraving techniques in the late 18th and early 19th centuries. His detailed illustrations of animals and birds, often accompanied by scenic vignettes, brought a new level of artistry to natural history books. Bewick’s \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790) and \u003cem\u003eHistory of British Birds\u003c\/em\u003e (1797–1804) are considered landmarks in publishing, blending scientific observation with artistic beauty. The \"Large Rough Water Dog\" featured on this cover is one of Bewick’s engravings from \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e, showcasing his ability to capture the texture and character of animals.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe stamp on the cover features a painting by George Stubbs (1724–1806), a leading 18th-century British artist known for his anatomical precision in depicting animals, particularly horses and dogs. Stubbs’ \"A Rough Dog\" reflects his skill in portraying the natural world, often commissioned by aristocratic patrons to paint their prized animals. The pairing of Bewick and Stubbs on this cover highlights two artists who contributed significantly to British art and natural history, with Bewick’s engravings and Stubbs’ paintings representing different but complementary approaches to animal depiction.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe issuance of this first day cover on January 8, 1991, by the British Philatelic Bureau reflects a broader trend in the late 20th century of celebrating British cultural heritage through philately. The 1991 series, which included this stamp, likely aimed to honor the intersection of art and natural history, appealing to collectors interested in both fields.\u003c\/p\u003e\n\u003ch4\u003eCollectible Value and Market Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers issued by the British Philatelic Bureau are highly regarded among collectors for their quality, design, and historical themes. The 1991 Thomas Bewick cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on market trends for similar items. For example, British first day covers from the 1990s often sell on platforms like eBay or through stamp dealers in this price range, with variations depending on condition, rarity, and the popularity of the theme. The cover’s focus on Thomas Bewick and George Stubbs, combined with its artistic and natural history theme, enhances its appeal to collectors of British stamps, art history, and natural history memorabilia.\u003c\/p\u003e\n\u003ch4\u003eDetailed Stamp Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 33-pence stamp on the cover is part of a 1991 Great Britain series celebrating British art and animals. The stamp features George Stubbs’ painting \"A Rough Dog,\" depicting a shaggy dog lying down, with a tree and landscape in the background. The stamp is labeled \"A Rough Dog – George Stubbs\" and has a denomination of 33 pence, reflecting the standard first-class postage rate in the UK in 1991 (the rate increased to 33p in 1990). The design uses a muted color palette of greens, browns, and grays, capturing the naturalistic style of Stubbs’ work. The stamp’s placement on the cover, along with the clear Edinburgh postmark from the British Philatelic Bureau, enhances the item’s philatelic appeal.\u003c\/p\u003e\n\u003ch4\u003eComparative Analysis with Other Collectibles\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eUnlike the U.S. Bicentennial-themed first day covers you previously provided (e.g., from Mauritania, Mali, Maldives, Luxembourg, and Liberia, valued at $5–$20), this 1991 Great Britain cover shifts focus to British art and natural history, appealing to a different collector base. Compared to other British first day covers from the 1990s, such as those celebrating royal events or literary figures (often valued at $5–$20), this cover stands out for its focus on art and animals, a less common theme. Compared to other art-related memorabilia, such as prints of Bewick’s engravings or Stubbs’ paintings, this first day cover offers a more affordable way to own a piece of art history. A high-quality print of a Bewick engraving might fetch $50–$100, while this cover provides an accessible entry point for collectors.\u003c\/p\u003e\n\u003ch4\u003eUnexpected Historical Detail: The \"Large Rough Water Dog\" and the Newfoundland Breed\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is the historical significance of the \"Large Rough Water Dog\" depicted by Thomas Bewick. This engraving, published in \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790), is often cited as one of the earliest detailed representations of the Newfoundland dog, a breed known for its thick fur, gentle temperament, and prowess in water rescue. The Newfoundland breed was brought to England from the island of Newfoundland in the 18th century, where it was used by fishermen for its swimming ability and strength. The breed later became famous for its lifesaving abilities, with documented stories of Newfoundlands rescuing sailors and swimmers, such as the dog that saved Napoleon Bonaparte during his escape from Elba in 1815. Bewick’s engraving captures the breed’s characteristic shaggy coat and sturdy build, and this cover, by featuring the \"Large Rough Water Dog,\" indirectly celebrates the legacy of the Newfoundland breed, connecting art, natural history, and canine heritage.\u003c\/p\u003e\n\u003ch4\u003eTable: Summary of Key Features\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto my-2\"\u003e\n\u003ctable\u003e\n\u003cthead class=\"border-b border-primary\/20\"\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003cth class=\"break-words\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"break-words\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eProduct Type\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFirst Day Cover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEvent Commemorated\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eCelebration of Thomas Bewick and British art\/natural history\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eStamp Included\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eOne 33-pence stamp: \"A Rough Dog\" by George Stubbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eIssue and Postmark Date\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eJanuary 8, 1991, British Philatelic Bureau, Edinburgh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eExcellent, no visible damage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eHistorical Significance\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eHonors Thomas Bewick and George Stubbs, with a nod to the Newfoundland breed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEstimated Value Range\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003e$5–$15, depending on condition and rarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4\u003eConclusion\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain Thomas Bewick First Day Cover is a historically significant collectible that celebrates the work of Thomas Bewick and British art through the depiction of the \"Large Rough Water Dog.\" Its detailed illustration, clear postmark, and connection to George Stubbs’ \"A Rough Dog\" make it a standout piece for collectors of British stamps, art history, and natural history. Whether you’re interested in Bewick’s engravings, Stubbs’ paintings, or the history of the Newfoundland breed, this cover offers a unique blend of cultural and historical value, reflecting Britain’s rich tradition of art and natural history illustration.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859741675684,"sku":null,"price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025.jpg?v=1743029080"},{"product_id":"1991-g","title":"1991 Great Britain First Day Cover, featuring a single stamp and an illustration of Thomas Bewick’s \"A Fox Hound.\"","description":"\u003cdiv class=\"message-bubble rounded-3xl prose dark:prose-invert break-words text-primary min-h-7 prose-p:opacity-95 prose-strong:opacity-100 w-full max-w-none\" dir=\"auto\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1991 Great Britain First Day Cover, featuring a single stamp and an illustration of Thomas Bewick’s \"A Fox Hound.\"\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes a 31-pence stamp depicting George Stubbs’ painting \"Two Hounds in a Landscape,\" postmarked on January 8, 1991, in Edinburgh by the British Philatelic Bureau.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover honors Thomas Bewick, an English engraver and naturalist, and his depiction of \"A Fox Hound,\" part of a series celebrating British art and natural history.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $15, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain First Day Cover is a philatelic item celebrating the work of Thomas Bewick, a renowned English engraver and naturalist. Featuring a detailed illustration of Bewick’s \"A Fox Hound\" and a 31-pence stamp showcasing George Stubbs’ painting \"Two Hounds in a Landscape,\" this cover highlights British art and natural history. Issued by the British Philatelic Bureau, it’s a perfect addition for collectors of British stamps, art history, and natural history memorabilia, offering a unique glimpse into the legacy of two influential artists and their depictions of canine subjects.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThomas Bewick (1753–1828) was a pivotal figure in British art and natural history, celebrated for his intricate wood engravings of animals and birds, particularly in works like \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790) and \u003cem\u003eHistory of British Birds\u003c\/em\u003e (1797–1804). His engraving of \"A Fox Hound,\" depicted on this cover, showcases his ability to capture the essence of animals with precision and artistry, often set against detailed landscapes. The 1991 issuance of this first day cover, part of a series celebrating British art, reflects a renewed appreciation for Bewick’s contributions to illustration and natural history during the late 20th century. The stamp, featuring George Stubbs’ \"Two Hounds in a Landscape,\" connects two artists known for their animal depictions, with Stubbs (1724–1806) being a prominent 18th-century painter of horses and dogs, often commissioned by British aristocracy.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from Great Britain, especially those issued by the British Philatelic Bureau, are popular among collectors for their quality and historical themes. This 1991 cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on typical market trends for similar items. Its focus on Thomas Bewick and George Stubbs, combined with its artistic and natural history theme, enhances its appeal to collectors of British stamps, art history, and natural history memorabilia.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: The Fox Hound and British Hunting Traditions\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn interesting aspect of this cover is its connection to British hunting traditions through the depiction of a fox hound. Fox hounds have been integral to British fox hunting since the 16th century, a practice deeply embedded in rural culture and often associated with the aristocracy. Bewick’s engraving of \"A Fox Hound,\" published in \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e, captures the breed’s sleek form and alertness, traits that made it ideal for hunting. Similarly, Stubbs’ \"Two Hounds in a Landscape\" reflects the 18th-century fascination with hunting dogs, often painted for landowners who prized their hounds. This cover, by featuring these artworks, indirectly celebrates the historical role of fox hounds in British culture, a tradition that continued into the 20th century but became controversial, leading to the Hunting Act 2004, which banned fox hunting with dogs in England and Wales.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1991 Great Britain Thomas Bewick \"A Fox Hound\" First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1991 Great Britain First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the work of Thomas Bewick and British art, making it a valuable piece for collectors of British stamps, art, and natural history.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain First Day Cover is a collectible envelope designed to honor Thomas Bewick, an English engraver and naturalist, featuring his illustration of \"A Fox Hound.\" The cover showcases a detailed engraving of a fox hound in a reddish-brown hue, depicted in mid-stride with a rock and sparse trees in the background, reflecting Bewick’s style of combining natural subjects with scenic elements. The text \"Thomas Bewick – A Fox Hound\" is printed below the illustration in red.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover is a single 31-pence stamp, part of a 1991 British series celebrating art and animals. The stamp features George Stubbs’ painting \"Two Hounds in a Landscape,\" depicting two hounds—one white with black markings and the other black with white markings—standing together in a natural setting with trees and a sky in the background. The stamp is labeled \"Two Hounds in a Landscape – George Stubbs\" and has a denomination of 31 pence. It is postmarked with a circular cancellation reading \"British Philatelic Bureau – First Day of Issue – 8 Jan 1991 – Edinburgh,\" confirming its first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThomas Bewick (1753–1828) was a pioneering English engraver and naturalist, renowned for revolutionizing wood engraving techniques in the late 18th and early 19th centuries. His detailed illustrations of animals and birds, often accompanied by scenic vignettes, brought a new level of artistry to natural history books. Bewick’s \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790) and \u003cem\u003eHistory of British Birds\u003c\/em\u003e (1797–1804) are considered landmarks in publishing, blending scientific observation with artistic beauty. The \"A Fox Hound\" featured on this cover is one of Bewick’s engravings from \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e, showcasing his ability to capture the texture and movement of animals.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe stamp on the cover features a painting by George Stubbs (1724–1806), a leading 18th-century British artist known for his anatomical precision in depicting animals, particularly horses and dogs. Stubbs’ \"Two Hounds in a Landscape\" reflects his skill in portraying the natural world, often commissioned by aristocratic patrons to paint their prized animals. The pairing of Bewick and Stubbs on this cover highlights two artists who contributed significantly to British art and natural history, with Bewick’s engravings and Stubbs’ paintings representing different but complementary approaches to animal depiction.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe issuance of this first day cover on January 8, 1991, by the British Philatelic Bureau reflects a broader trend in the late 20th century of celebrating British cultural heritage through philately. The 1991 series, which included this stamp, likely aimed to honor the intersection of art and natural history, appealing to collectors interested in both fields. This cover is a companion to the 1991 Great Britain First Day Cover featuring Bewick’s \"Large Rough Water Dog\" (previously described), indicating that the series included multiple stamps and covers celebrating Bewick’s work alongside other artists like Stubbs.\u003c\/p\u003e\n\u003ch4 class=\"break-words\"\u003e\n\u003cspan class=\"animate-gaussian\"\u003eCollectible\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eValue\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eand\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eMarket\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eAnalysis\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003e\u003cspan class=\"animate-gaussian\"\u003eFirst\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eday\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ecovers\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eissued\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eby\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ethe\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eBritish\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ePhilatelic\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eBureau\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eare\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ehighly\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eregarded\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eamong\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ecollectors\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003efor\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003etheir\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003equality,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003edesign,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eand\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ehistorical\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ethemes.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eThe\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003e1991\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eThomas\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eBewick\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003e\"A\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eFox\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eHound\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ecover,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ewith\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eits\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eclear\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003epostmark,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003edetailed\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eillustration,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eand\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ewell-preserved\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003econdition,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eis\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003elikely\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003evalued\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ebetween\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003e$5\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eand\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003e$15,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ebased\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eon\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003emarket\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003etrends\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003efor\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003esimilar\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eitems.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eThis\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003evaluation\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ealigns\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ewith\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ethe\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003epreviously\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003edescribed\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003e1991\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eGreat\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eBritain\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ecover\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003efeaturing\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eBewick’s\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003e\"Large\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eRough\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eWater\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eDog,\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ewhich\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ewas\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ealso\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003evalued\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eat\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003e$5–$15.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eBritish\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003efirst\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003eday\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ecovers\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003efrom\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003ethe\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"animate-gaussian\"\u003e1990\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859743510692,"sku":null,"price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025_001_74921261-1178-496f-bc6b-8bf7dd40d537.jpg?v=1743029152"},{"product_id":"1991-great-britain-first-d","title":"1991 Great Britain First Day Cover, featuring a single stamp and an illustration of Thomas Bewick’s \"A Spanish Pointer.\"","description":"\u003cdiv\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1991 Great Britain First Day Cover, featuring a single stamp and an illustration of Thomas Bewick’s \"A Spanish Pointer.\"\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes a 26-pence stamp depicting George Stubbs’ painting \"A Pointer,\" postmarked on January 8, 1991, in Edinburgh by the British Philatelic Bureau.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover honors Thomas Bewick, an English engraver and naturalist, and his depiction of \"A Spanish Pointer,\" part of a series celebrating British art and natural history.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $15, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain First Day Cover is a philatelic item celebrating the work of Thomas Bewick, a renowned English engraver and naturalist. Featuring a detailed illustration of Bewick’s \"A Spanish Pointer\" and a 26-pence stamp showcasing George Stubbs’ painting \"A Pointer,\" this cover highlights British art and natural history. Issued by the British Philatelic Bureau, it’s a perfect addition for collectors of British stamps, art history, and natural history memorabilia, offering a unique glimpse into the legacy of two influential artists and their depictions of canine subjects.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThomas Bewick (1753–1828) was a pivotal figure in British art and natural history, celebrated for his intricate wood engravings of animals and birds, particularly in works like \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790) and \u003cem\u003eHistory of British Birds\u003c\/em\u003e (1797–1804). His engraving of \"A Spanish Pointer,\" depicted on this cover, showcases his ability to capture the essence of animals with precision and artistry, often set against detailed landscapes. The 1991 issuance of this first day cover, part of a series celebrating British art, reflects a renewed appreciation for Bewick’s contributions to illustration and natural history during the late 20th century. The stamp, featuring George Stubbs’ \"A Pointer,\" connects two artists known for their animal depictions, with Stubbs (1724–1806) being a prominent 18th-century painter of horses and dogs, often commissioned by British aristocracy.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from Great Britain, especially those issued by the British Philatelic Bureau, are popular among collectors for their quality and historical themes. This 1991 cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on typical market trends for similar items. Its focus on Thomas Bewick and George Stubbs, combined with its artistic and natural history theme, enhances its appeal to collectors of British stamps, art history, and natural history memorabilia.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: The Spanish Pointer and the Evolution of the Pointer Breed\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn interesting aspect of this cover is its depiction of \"A Spanish Pointer,\" which provides insight into the history of the Pointer dog breed. The Spanish Pointer, as depicted by Bewick in \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e, is considered an ancestor of the modern Pointer breed, which was developed in England in the 17th and 18th centuries. Spanish Pointers were brought to England from Spain and were known for their strong hunting instincts and ability to \"point\" at game, a trait that became the hallmark of the breed. Over time, British breeders refined the Spanish Pointer by crossing it with other breeds, such as the Foxhound, to create the sleeker, more agile English Pointer. This cover, by featuring Bewick’s engraving, highlights the historical significance of the Spanish Pointer in the evolution of a breed that became a favorite among hunters and sportsmen.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1991 Great Britain Thomas Bewick \"A Spanish Pointer\" First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1991 Great Britain First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the work of Thomas Bewick and British art, making it a valuable piece for collectors of British stamps, art, and natural history.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain First Day Cover is a collectible envelope designed to honor Thomas Bewick, an English engraver and naturalist, featuring his illustration of \"A Spanish Pointer.\" The cover showcases a detailed engraving of a Spanish Pointer in a reddish-brown hue, depicted in a hunting stance with a landscape of trees and grass in the background, reflecting Bewick’s style of combining natural subjects with scenic elements. The text \"Thomas Bewick – A Spanish Pointer\" is printed below the illustration in red.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover is a single 26-pence stamp, part of a 1991 British series celebrating art and animals. The stamp features George Stubbs’ painting \"A Pointer,\" depicting a pointer dog in a white-and-brown coat, standing alert in a natural setting with trees and a sky in the background. The stamp is labeled \"A Pointer – George Stubbs\" and has a denomination of 26 pence. It is postmarked with a circular cancellation reading \"British Philatelic Bureau – First Day of Issue – 8 Jan 1991 – Edinburgh,\" confirming its first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThomas Bewick (1753–1828) was a pioneering English engraver and naturalist, renowned for revolutionizing wood engraving techniques in the late 18th and early 19th centuries. His detailed illustrations of animals and birds, often accompanied by scenic vignettes, brought a new level of artistry to natural history books. Bewick’s \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790) and \u003cem\u003eHistory of British Birds\u003c\/em\u003e (1797–1804) are considered landmarks in publishing, blending scientific observation with artistic beauty. The \"A Spanish Pointer\" featured on this cover is one of Bewick’s engravings from \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e, showcasing his ability to capture the texture and posture of animals.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe stamp on the cover features a painting by George Stubbs (1724–1806), a leading 18th-century British artist known for his anatomical precision in depicting animals, particularly horses and dogs. Stubbs’ \"A Pointer\" reflects his skill in portraying the natural world, often commissioned by aristocratic patrons to paint their prized animals. The pairing of Bewick and Stubbs on this cover highlights two artists who contributed significantly to British art and natural history, with Bewick’s engravings and Stubbs’ paintings representing different but complementary approaches to animal depiction.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe issuance of this first day cover on January 8, 1991, by the British Philatelic Bureau reflects a broader trend in the late 20th century of celebrating British cultural heritage through philately. The 1991 series, which included this stamp, likely aimed to honor the intersection of art and natural history, appealing to collectors interested in both fields. This cover is a companion to the previously described 1991 Great Britain First Day Covers featuring Bewick’s \"Large Rough Water Dog\" and \"A Fox Hound,\" indicating that the series included multiple stamps and covers celebrating Bewick’s work alongside other artists like Stubbs.\u003c\/p\u003e\n\u003ch4\u003eCollectible Value and Market Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers issued by the British Philatelic Bureau are highly regarded among collectors for their quality, design, and historical themes. The 1991 Thomas Bewick \"A Spanish Pointer\" cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on market trends for similar items. This valuation aligns with the previously described 1991 Great Britain covers featuring Bewick’s \"Large Rough Water Dog\" and \"A Fox Hound,\" which were also valued at $5–$15. British first day covers from the 1990s often sell on platforms like eBay or through stamp dealers in this price range, with variations depending on condition, rarity, and the popularity of the theme. The cover’s focus on Thomas Bewick and George Stubbs, combined with its artistic and natural history theme, enhances its appeal to collectors of British stamps, art history, and natural history memorabilia.\u003c\/p\u003e\n\u003ch4\u003eDetailed Stamp Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 26-pence stamp on the cover is part of a 1991 Great Britain series celebrating art and animals. The stamp features George Stubbs’ painting \"A Pointer,\" depicting a pointer dog in a white-and-brown coat, standing alert in a natural setting with trees and a sky in the background. The stamp is labeled \"A Pointer – George Stubbs\" and has a denomination of 26 pence, reflecting a lower-tier postage rate in the UK in 1991 (the first-class rate was 33p, as seen in the \"Large Rough Water Dog\" cover, while 26p likely covered second-class mail). The design uses a muted color palette of greens, browns, and blues, capturing the naturalistic style of Stubbs’ work. The stamp’s placement on the cover, along with the clear Edinburgh postmark from the British Philatelic Bureau, enhances the item’s philatelic appeal.\u003c\/p\u003e\n\u003ch4\u003eComparative Analysis with Other Collectibles\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThis cover is part of the same 1991 Great Britain series as the previously described covers featuring Bewick’s \"Large Rough Water Dog\" (33p stamp) and \"A Fox Hound\" (31p stamp), all valued at $5–$15. The series’ consistent focus on Bewick’s engravings paired with Stubbs’ paintings creates a cohesive set for collectors interested in British art and natural history. Unlike the U.S. Bicentennial-themed first day covers you provided earlier (e.g., from Mauritania, Mali, Maldives, Luxembourg, and Liberia, valued at $5–$20), this cover shifts focus to British heritage, appealing to a different collector base. Compared to other British first day covers from the 1990s, such as those celebrating royal events or literary figures (often valued at $5–$20), this cover stands out for its focus on art and animals, a less common theme. Compared to other art-related memorabilia, such as prints of Bewick’s engravings or Stubbs’ paintings, this first day cover offers a more affordable way to own a piece of art history. A high-quality print of a Bewick engraving might fetch $50–$100, while this cover provides an accessible entry point for collectors.\u003c\/p\u003e\n\u003ch4\u003eUnexpected Historical Detail: The Spanish Pointer and the Evolution of the Pointer Breed\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is its depiction of \"A Spanish Pointer,\" which provides insight into the history of the Pointer dog breed. The Spanish Pointer, as depicted by Bewick in \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e, is considered an ancestor of the modern Pointer breed, which was developed in England in the 17th and 18th centuries. Spanish Pointers were brought to England from Spain and were known for their strong hunting instincts and ability to \"point\" at game—a behavior where the dog freezes and points its nose toward prey, assisting hunters. This trait became the hallmark of the breed. Over time, British breeders refined the Spanish Pointer by crossing it with other breeds, such as the Foxhound, to create the sleeker, more agile English Pointer, which became a favorite among hunters and sportsmen. Stubbs’ \"A Pointer\" on the stamp likely depicts this later English Pointer, showing the breed’s evolution. This cover, by featuring Bewick’s engraving, highlights the historical significance of the Spanish Pointer in the development of a breed that remains popular today for its elegance and hunting prowess.\u003c\/p\u003e\n\u003ch4\u003eTable: Summary of Key Features\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto my-2\"\u003e\n\u003ctable\u003e\n\u003cthead class=\"border-b border-primary\/20\"\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003cth class=\"break-words\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"break-words\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eProduct Type\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFirst Day Cover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEvent Commemorated\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eCelebration of Thomas Bewick and British art\/natural history\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eStamp Included\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eOne 26-pence stamp: \"A Pointer\" by George Stubbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eIssue and Postmark Date\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eJanuary 8, 1991, British Philatelic Bureau, Edinburgh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eExcellent, no visible damage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eHistorical Significance\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eHonors Thomas Bewick and George Stubbs, with a nod to the Pointer breed’s history\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEstimated Value Range\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003e$5–$15, depending on condition and rarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4\u003eConclusion\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain Thomas Bewick \"A Spanish Pointer\" First Day Cover is a historically significant collectible that celebrates the work of Thomas Bewick and British art through the depiction of \"A Spanish Pointer.\" Its detailed illustration, clear postmark, and connection to George Stubbs’ \"A Pointer\" make it a standout piece for collectors of British stamps, art history, and natural history. Whether you’re interested in Bewick’s engravings, Stubbs’ paintings, or the history of the Pointer breed, this cover offers a unique blend of cultural and historical value, reflecting Britain’s rich tradition of art and natural history illustration.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859744395428,"sku":null,"price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025_002_1fec9376-e9d4-423a-933c-5481e37fd154.jpg?v=1743029303"},{"product_id":"1991-great-britain","title":"1991 Great Britain First Day Cover, featuring a single stamp and an illustration of Thomas Bewick’s \"A Springer Spaniel.\"","description":"\u003cdiv\u003e\n\u003ch3\u003eKey Points\u003c\/h3\u003e\n\u003cul class=\"marker:text-secondary\"\u003e\n\u003cli class=\"break-words\"\u003eThis product is a 1991 Great Britain First Day Cover, featuring a single stamp and an illustration of Thomas Bewick’s \"A Springer Spaniel.\"\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eIt includes a 22-pence stamp depicting George Stubbs’ painting \"King Charles Spaniel,\" postmarked on January 8, 1991, in Edinburgh by the British Philatelic Bureau.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eThe cover honors Thomas Bewick, an English engraver and naturalist, and his depiction of \"A Springer Spaniel,\" part of a series celebrating British art and natural history.\u003c\/li\u003e\n\u003cli class=\"break-words\"\u003eAs a collectible, it is likely valued between $5 and $15, depending on condition and market demand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct Overview\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain First Day Cover is a philatelic item celebrating the work of Thomas Bewick, a renowned English engraver and naturalist. Featuring a detailed illustration of Bewick’s \"A Springer Spaniel\" and a 22-pence stamp showcasing George Stubbs’ painting \"King Charles Spaniel,\" this cover highlights British art and natural history. Issued by the British Philatelic Bureau, it’s a perfect addition for collectors of British stamps, art history, and natural history memorabilia, offering a unique glimpse into the legacy of two influential artists and their depictions of canine subjects.\u003c\/p\u003e\n\u003ch3\u003eHistorical Context\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThomas Bewick (1753–1828) was a pivotal figure in British art and natural history, celebrated for his intricate wood engravings of animals and birds, particularly in works like \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790) and \u003cem\u003eHistory of British Birds\u003c\/em\u003e (1797–1804). His engraving of \"A Springer Spaniel,\" depicted on this cover, showcases his ability to capture the essence of animals with precision and artistry, often set against detailed landscapes. The 1991 issuance of this first day cover, part of a series celebrating British art, reflects a renewed appreciation for Bewick’s contributions to illustration and natural history during the late 20th century. The stamp, featuring George Stubbs’ \"King Charles Spaniel,\" connects two artists known for their animal depictions, with Stubbs (1724–1806) being a prominent 18th-century painter of horses and dogs, often commissioned by British aristocracy.\u003c\/p\u003e\n\u003ch3\u003eCollectible Value\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers from Great Britain, especially those issued by the British Philatelic Bureau, are popular among collectors for their quality and historical themes. This 1991 cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on typical market trends for similar items. Its focus on Thomas Bewick and George Stubbs, combined with its artistic and natural history theme, enhances its appeal to collectors of British stamps, art history, and natural history memorabilia.\u003c\/p\u003e\n\u003ch3\u003eUnexpected Detail: The Springer Spaniel and King Charles Spaniel in British History\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eAn interesting aspect of this cover is its depiction of two distinct spaniel breeds, each with a significant place in British history. Bewick’s \"A Springer Spaniel\" represents a working breed known for its role in hunting, particularly in flushing game birds from dense cover—hence the name \"springer.\" Springer Spaniels have been documented in Britain since the 16th century and were prized by hunters for their energy and agility. In contrast, Stubbs’ \"King Charles Spaniel,\" depicted on the stamp, is a toy breed associated with British royalty, particularly King Charles II (1630–1685), who was so fond of the breed that it was named after him. These small spaniels were bred as companion dogs for the aristocracy, often seen in portraits of the period. This cover, by featuring both a working and a companion spaniel, highlights the diverse roles of spaniels in British culture, from practical hunting partners to symbols of luxury and status.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSurvey Note: Detailed Analysis of the 1991 Great Britain Thomas Bewick \"A Springer Spaniel\" First Day Cover\u003c\/h3\u003e\n\u003cp class=\"break-words\"\u003eThis section provides a comprehensive examination of the 1991 Great Britain First Day Cover, exploring its features, historical context, and collectible value. The cover, analyzed through the provided image, is a philatelic item that celebrates the work of Thomas Bewick and British art, making it a valuable piece for collectors of British stamps, art, and natural history.\u003c\/p\u003e\n\u003ch4\u003eProduct Description and Features\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain First Day Cover is a collectible envelope designed to honor Thomas Bewick, an English engraver and naturalist, featuring his illustration of \"A Springer Spaniel.\" The cover showcases a detailed engraving of a Springer Spaniel in a reddish-brown hue, depicted in mid-stride with a landscape of trees and grass in the background, reflecting Bewick’s style of combining natural subjects with scenic elements. The text \"Thomas Bewick – A Springer Spaniel\" is printed below the illustration in red.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eAffixed to the cover is a single 22-pence stamp, part of a 1991 British series celebrating art and animals. The stamp features George Stubbs’ painting \"King Charles Spaniel,\" depicting a small spaniel with a white-and-brown coat, standing in a natural setting with trees and foliage in the background. The stamp is labeled \"King Charles Spaniel – George Stubbs\" and has a denomination of 22 pence. It is postmarked with a circular cancellation reading \"British Philatelic Bureau – First Day of Issue – 8 Jan 1991 – Edinburgh,\" confirming its first day of issue status. The cover’s condition appears excellent, with no visible tears, stains, or creases, preserving its visual and collectible value.\u003c\/p\u003e\n\u003ch4\u003eHistorical Significance and Context\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThomas Bewick (1753–1828) was a pioneering English engraver and naturalist, renowned for revolutionizing wood engraving techniques in the late 18th and early 19th centuries. His detailed illustrations of animals and birds, often accompanied by scenic vignettes, brought a new level of artistry to natural history books. Bewick’s \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e (1790) and \u003cem\u003eHistory of British Birds\u003c\/em\u003e (1797–1804) are considered landmarks in publishing, blending scientific observation with artistic beauty. The \"A Springer Spaniel\" featured on this cover is one of Bewick’s engravings from \u003cem\u003eA General History of Quadrupeds\u003c\/em\u003e, showcasing his ability to capture the texture and movement of animals.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe stamp on the cover features a painting by George Stubbs (1724–1806), a leading 18th-century British artist known for his anatomical precision in depicting animals, particularly horses and dogs. Stubbs’ \"King Charles Spaniel\" reflects his skill in portraying the natural world, often commissioned by aristocratic patrons to paint their prized animals. The pairing of Bewick and Stubbs on this cover highlights two artists who contributed significantly to British art and natural history, with Bewick’s engravings and Stubbs’ paintings representing different but complementary approaches to animal depiction.\u003c\/p\u003e\n\u003cp class=\"break-words\"\u003eThe issuance of this first day cover on January 8, 1991, by the British Philatelic Bureau reflects a broader trend in the late 20th century of celebrating British cultural heritage through philately. The 1991 series, which included this stamp, likely aimed to honor the intersection of art and natural history, appealing to collectors interested in both fields. This cover is a companion to the previously described 1991 Great Britain First Day Covers featuring Bewick’s \"Large Rough Water Dog,\" \"A Fox Hound,\" and \"A Spanish Pointer,\" indicating that the series included multiple stamps and covers celebrating Bewick’s work alongside other artists like Stubbs.\u003c\/p\u003e\n\u003ch4\u003eCollectible Value and Market Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eFirst day covers issued by the British Philatelic Bureau are highly regarded among collectors for their quality, design, and historical themes. The 1991 Thomas Bewick \"A Springer Spaniel\" cover, with its clear postmark, detailed illustration, and well-preserved condition, is likely valued between $5 and $15, based on market trends for similar items. This valuation aligns with the previously described 1991 Great Britain covers featuring Bewick’s \"Large Rough Water Dog,\" \"A Fox Hound,\" and \"A Spanish Pointer,\" which were also valued at $5–$15. British first day covers from the 1990s often sell on platforms like eBay or through stamp dealers in this price range, with variations depending on condition, rarity, and the popularity of the theme. The cover’s focus on Thomas Bewick and George Stubbs, combined with its artistic and natural history theme, enhances its appeal to collectors of British stamps, art history, and natural history memorabilia.\u003c\/p\u003e\n\u003ch4\u003eDetailed Stamp Analysis\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 22-pence stamp on the cover is part of a 1991 Great Britain series celebrating art and animals. The stamp features George Stubbs’ painting \"King Charles Spaniel,\" depicting a small spaniel with a white-and-brown coat, standing in a natural setting with trees and foliage in the background. The stamp is labeled \"King Charles Spaniel – George Stubbs\" and has a denomination of 22 pence, reflecting a lower-tier postage rate in the UK in 1991 (the first-class rate was 33p, as seen in the \"Large Rough Water Dog\" cover, while 22p likely covered a basic rate, possibly for postcards or lightweight letters). The design uses a muted color palette of greens, browns, and blues, capturing the naturalistic style of Stubbs’ work. The stamp’s placement on the cover, along with the clear Edinburgh postmark from the British Philatelic Bureau, enhances the item’s philatelic appeal.\u003c\/p\u003e\n\u003ch4\u003eComparative Analysis with Other Collectibles\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThis cover is part of the same 1991 Great Britain series as the previously described covers featuring Bewick’s \"Large Rough Water Dog\" (33p stamp), \"A Fox Hound\" (31p stamp), and \"A Spanish Pointer\" (26p stamp), all valued at $5–$15. The series’ consistent focus on Bewick’s engravings paired with Stubbs’ paintings creates a cohesive set for collectors interested in British art and natural history. Unlike the U.S. Bicentennial-themed first day covers you provided earlier (e.g., from Mauritania, Mali, Maldives, Luxembourg, and Liberia, valued at $5–$20), this cover shifts focus to British heritage, appealing to a different collector base. Compared to other British first day covers from the 1990s, such as those celebrating royal events or literary figures (often valued at $5–$20), this cover stands out for its focus on art and animals, a less common theme. Compared to other art-related memorabilia, such as prints of Bewick’s engravings or Stubbs’ paintings, this first day cover offers a more affordable way to own a piece of art history. A high-quality print of a Bewick engraving might fetch $50–$100, while this cover provides an accessible entry point for collectors.\u003c\/p\u003e\n\u003ch4\u003eUnexpected Historical Detail: The Springer Spaniel and King Charles Spaniel in British History\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eAn intriguing aspect of this cover is its depiction of two distinct spaniel breeds, each with a significant place in British history. Bewick’s \"A Springer Spaniel\" represents a working breed known for its role in hunting, particularly in flushing game birds from dense cover—hence the name \"springer.\" Springer Spaniels have been documented in Britain since the 16th century and were prized by hunters for their energy and agility. The breed was later refined into the modern English Springer Spaniel, which remains popular for both hunting and as a family pet. In contrast, Stubbs’ \"King Charles Spaniel,\" depicted on the stamp, is a toy breed associated with British royalty, particularly King Charles II (1630–1685), who was so fond of the breed that it was named after him. These small spaniels, often seen in portraits of the period, were bred as companion dogs for the aristocracy, symbolizing luxury and status. This cover, by featuring both a working and a companion spaniel, highlights the diverse roles of spaniels in British culture, from practical hunting partners to symbols of wealth and affection.\u003c\/p\u003e\n\u003ch4\u003eTable: Summary of Key Features\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto my-2\"\u003e\n\u003ctable\u003e\n\u003cthead class=\"border-b border-primary\/20\"\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003cth class=\"break-words\"\u003eFeature\u003c\/th\u003e\n\u003cth class=\"break-words\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eProduct Type\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eFirst Day Cover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEvent Commemorated\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eCelebration of Thomas Bewick and British art\/natural history\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eStamp Included\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eOne 22-pence stamp: \"King Charles Spaniel\" by George Stubbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eIssue and Postmark Date\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eJanuary 8, 1991, British Philatelic Bureau, Edinburgh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eExcellent, no visible damage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eHistorical Significance\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003eHonors Thomas Bewick and George Stubbs, with a nod to spaniel breeds’ history\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"border-primary\/10\"\u003e\n\u003ctd class=\"break-words\"\u003eEstimated Value Range\u003c\/td\u003e\n\u003ctd class=\"break-words\"\u003e$5–$15, depending on condition and rarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4\u003eConclusion\u003c\/h4\u003e\n\u003cp class=\"break-words\"\u003eThe 1991 Great Britain Thomas Bewick \"A Springer Spaniel\" First Day Cover is a historically significant collectible that celebrates the work of Thomas Bewick and British art through the depiction of \"A Springer Spaniel.\" Its detailed illustration, clear postmark, and connection to George Stubbs’ \"King Charles Spaniel\" make it a standout piece for collectors of British stamps, art history, and natural history. Whether you’re interested in Bewick’s engravings, Stubbs’ paintings, or the history of spaniel breeds in British culture, this cover offers a unique blend of cultural and historical value, reflecting Britain’s rich tradition of art and natural history illustration.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Maple Springs","offers":[{"title":"Default Title","offer_id":50859744755876,"sku":null,"price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/4713\/5908\/files\/03262025_003_a293c6c7-0b68-438e-9cbe-e4994987a8d7.jpg?v=1743029529"}],"url":"https:\/\/fdc-vault.com\/collections\/international.oembed","provider":"Maple Springs - FDC Vault","version":"1.0","type":"link"}